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Evaluation

  Throughout the process of creating and finalizing the idea for my short film, there were a lot of different outside influences that helped inspire the narrative I chose to move forward with. The collection of short films we had to watch and analyse really helped me solidify the experimental style that I ended up going with in my own film, taking a lot of elements both narratively and form-wise from The Grandmother by David Lynch and Meshes of the Afternoon by Maya Derren. Both these films and a few other media influences that allowed me to explore different elements of film form and develop a plot that’s both interesting and ambiguous.   The cyclical narrative of Meshes of the Afternoon made the short film stick out to me as more experimental and strange. It has an almost dream-like haze over the whole thing, and the film form and cinematography push this even further. The multiple close ups of different mise-en-scene elements, all of which play a very important role in the wider
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City of God (Mierelles, 2002) Ending Analysis

I saved every letter you wrote me from the moment I read them I knew you were mine you said you were mine thought you were miiiiiiine do you know what Angelica said when she saw your first letter arrive she said "be careful of the one love hell do what it takes to survive" you and your words flooded my sensecyour sentences left me defencelss you built me palaces  out of paragraphs  you built cathedralsssssss I'm rereading the letters you wrote me im seraching  and scanning for answers in every line for some kind of sign and when you were miiiiiiine the world seemed to buuuuuuuuuuuuuuuuurn buuuuuuuuuuuuuuuurn you published the letters she wrote you you told the whole world how you bought this girl into our bed in clearing your name you have ruined our liiiiiivesssss do you know what Angelica said when she read what you'd done she said "you have married an icarus he has flown too close to the sun" you and your words obsessed with your legacy your sentences bor
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DRAFT

Short Film Scene 1: INT car    Open in a car, as if the camera is on the dashboard. We see a child in the passenger seat idling about, humming along to a relatively happy tune on the radio. Warm sunlight comes from the passenger window, saturating her and the bear sitting on her lap. The bear is rather small, and it’s ears are lined with pink felt that’s worn down to reveal the old felt underneath. It’s a small pooh bear that is no longer the golden yellow it should be, and instead is a dirty tan from years of love and affection. The child has a grip on the bear with one of her hands, the other is tapping on the door in time to the music.  Jarring cut to the driver of the car, who is the father of the young girl. His point of view is very dark, there is a lack of music and instead a single low note is playing in the background. He is gripping the steering wheel so hard that his knuckles are turning white, a clear signal of his stress. The lighting turns very cold, missing the youthful
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Short Film Ideas

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City of God (Mierelles, 2002) Opening Scene Analysis

 The opening scene of City of God uses a multitude of editing techniques to 
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Shaun of The Dead: Narrative Structure and Genres

Narratively, Shaun of the Dead plays with the conventions of two genres, those being the classic romance-comedy and the popular zombie thriller. Throughout the film, each of these genres twist and intertwine to create the well loved zom-rom-com. Both genres have a starting equilibrium, a major disruption and a new equilibirum, all of which fit with the conventions of both sides.
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Political Ideologies Within Transporting

How far are the characters in Trainspotting a product of their political and social environment? Thatcherism and New Labour ideologies have a massive impact on the characters within Transporting and how they react in their  environment, mainly Leith in Scotland. It can be argued that Renton is the perfect 'Thatcherite' for many reasons, but part of his personality contradicts that label,and although his actions may mirror what Thatcherism stood for, he seems to be the product of the political, social and economic state of 1980s Scotland. National identity also plays a large part in why each of the characters behave the way they do, and why they seem to resist the idea that times are changing and things are evolving. Although it is hard to tell the length of time the film takes place over, it's safe to assume its in the mid-late 80s. Margaret Thatcher held a lot of very conservative viewpoints that only really benefited a small amount of people, usually the middle cl
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