The Basic Definitions: Cinematography - use of camera and lighting (angles, shot types and movement) e.g. mid-shot, close-ups, zooms, high and low camera angles, pan shot, tracking Editing - the relationship between the shots, how they follow each other e.g. cuts, fades Mis-En-Scene - what's in the shot/scene e.g. props, costumes, backgrounds, and their significance Sound - music, sound effects and spoken word within a scene (diegetic and non-dietetic) Performance - the performance of the actors and how they add to the scene ...
Short Film Scene 1: INT car Open in a car, as if the camera is on the dashboard. We see a child in the passenger seat idling about, humming along to a relatively happy tune on the radio. Warm sunlight comes from the passenger window, saturating her and the bear sitting on her lap. The bear is rather small, and it’s ears are lined with pink felt that’s worn down to reveal the old felt underneath. It’s a small pooh bear that is no longer the golden yellow it should be, and instead is a dirty tan from years of love and affection. The child has a grip on the bear with one of her hands, the other is tapping on the door in time to the music. Jarring cut to the driver of the car, who is the father of the young girl. His point of view is very dark, there is a lack of music and instead a single low note is playing in the background. He is gripping the steering wheel so hard that his knuckles are turning white, a clear signal of his stress. The lighting turns very cold, missing...
Narratively, Shaun of the Dead plays with the conventions of two genres, those being the classic romance-comedy and the popular zombie thriller. Throughout the film, each of these genres twist and intertwine to create the well loved zom-rom-com. Both genres have a starting equilibrium, a major disruption and a new equilibirum, all of which fit with the conventions of both sides.
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