Narratively, Shaun of the Dead plays with the conventions of two genres, those being the classic romance-comedy and the popular zombie thriller. Throughout the film, each of these genres twist and intertwine to create the well loved zom-rom-com. Both genres have a starting equilibrium, a major disruption and a new equilibirum, all of which fit with the conventions of both sides.
The first thing seen in the opening of the film is a quaint woodland area with very light atmosphere, with two establishing shots that linger on to show the setting. A deer is then introduced, and for the next few shots it's in the centre of the frame, which aligns the audience with the animal but this allegiance is quickly revoked. A variety of different shot types are used to enforce this alignment, mostly the close up right before a sound is heard by the deer, in which the shot quickly cuts to an unknown figure hiding in the bushes. We're then given a POV type shot from the perspective of this mysterious person watching the animal, which provides an almost looming sense of tension which further pushes the idea that the audience is supposed to feel a strong sense of alignment with the deer. More shots of the animal are shown, in which it's just going about its business, until the figure is now present in the frame with the deer. The figure, who is now clearly seen as a yo...
The Basic Definitions: Cinematography - use of camera and lighting (angles, shot types and movement) e.g. mid-shot, close-ups, zooms, high and low camera angles, pan shot, tracking Editing - the relationship between the shots, how they follow each other e.g. cuts, fades Mis-En-Scene - what's in the shot/scene e.g. props, costumes, backgrounds, and their significance Sound - music, sound effects and spoken word within a scene (diegetic and non-dietetic) Performance - the performance of the actors and how they add to the scene ...
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