Apocalypse Now Analysis

Apocalypse Now 

Comments

Post a Comment

Popular posts from this blog

DRAFT

Short Film Scene 1: INT car    Open in a car, as if the camera is on the dashboard. We see a child in the passenger seat idling about, humming along to a relatively happy tune on the radio. Warm sunlight comes from the passenger window, saturating her and the bear sitting on her lap. The bear is rather small, and it’s ears are lined with pink felt that’s worn down to reveal the old felt underneath. It’s a small pooh bear that is no longer the golden yellow it should be, and instead is a dirty tan from years of love and affection. The child has a grip on the bear with one of her hands, the other is tapping on the door in time to the music.  Jarring cut to the driver of the car, who is the father of the young girl. His point of view is very dark, there is a lack of music and instead a single low note is playing in the background. He is gripping the steering wheel so hard that his knuckles are turning white, a clear signal of his stress. The lighting turns very cold, missing...
Read more

Shaun of The Dead: Narrative Structure and Genres

Narratively, Shaun of the Dead plays with the conventions of two genres, those being the classic romance-comedy and the popular zombie thriller. Throughout the film, each of these genres twist and intertwine to create the well loved zom-rom-com. Both genres have a starting equilibrium, a major disruption and a new equilibirum, all of which fit with the conventions of both sides.
Read more

Evaluation

  Throughout the process of creating and finalizing the idea for my short film, there were a lot of different outside influences that helped inspire the narrative I chose to move forward with. The collection of short films we had to watch and analyse really helped me solidify the experimental style that I ended up going with in my own film, taking a lot of elements both narratively and form-wise from The Grandmother by David Lynch and Meshes of the Afternoon by Maya Derren. Both these films and a few other media influences that allowed me to explore different elements of film form and develop a plot that’s both interesting and ambiguous.   The cyclical narrative of Meshes of the Afternoon made the short film stick out to me as more experimental and strange. It has an almost dream-like haze over the whole thing, and the film form and cinematography push this even further. The multiple close ups of different mise-en-scene elements, all of which play a very important role in ...
Read more